Jürg Schneider

We are all mortals

To be mortal is part of our shared humanity. Most societies, cultures and religions have imagined and defined their specific “Path to the Beyond”: concepts, rites and objects that inform and accompany the transition – very often imagined as a journey - of the deceased into the otherworld.

Last week, I went to Basel to visit the exhi­bi­ti­on „Der Weg ins Jen­seits“ (Path to the Bey­ond) at the Muse­um of Cul­tures in Basel. The pic­tu­re shows object no. 42 „Death dri­ving a jeep“ (Day of the Dead figu­re, Mexio 1960), from the exhi­bi­ti­on poster.

The que­sti­on of the Bey­ond, and the path lea­ding us the­re after death may haunt us from time to time. We may have found ans­wers in reli­gi­on, phi­lo­so­phy or a per­so­nal belief system, or we may just be taking an agno­stic view (“can­not know”).

How very dif­fer­ent­ly socie­ties, cul­tures and reli­gi­ons have ima­gi­ned and defi­ned their “Path to the Bey­ond”: this is the topic taken up in this exhi­bi­ti­on (open until May 3, 2026 (slight exten­si­on).

“The Path to the Bey­ond”

…has been cura­ted by Richard Kunz, Head of the Sou­theast Asia Coll­ec­tions. He and his team have cho­sen to pre­sent 250 objects from the Museum’s rich coll­ec­tions, repre­sen­ting a ran­ge of cul­tures, reli­gi­ons and time peri­ods, inclu­ding our own cul­tu­re and the pre­sent time. The orde­ring prin­ci­ple is not geo­gra­phic, but rather what I would call “neces­si­ties of a jour­ney”. The­re can be no sum­ma­ry of the the­ma­tic pre­sen­ta­ti­on here, but by way of intro­duc­tion I will point at three objects which caught my atten­ti­on.

The Horn­bill Boat

[exhi­bit 85] – the horn­bill is a bird of Sou­theast Asia rela­ted to the spi­ri­tu­al world by many cul­tures of the regi­on, and also figu­ring pro­min­ent­ly in Nga­ju Dayak (Bor­neo) reli­gi­on. The souls of their dead board­ed a horn­bill boat to reach the inter­me­dia­te “vil­la­ge of the soul”, inde­ed an almost exact repli­ca of a real vil­la­ge, but in the upper world. The souls stay­ed the­re for a few years until, down on earth, the rites for the second buri­al were per­for­med by their rela­ti­ves and the priests. Then, the soul would board a “soul boat” and make the tran­si­ti­on to the vil­la­ge of Lewu Liau, the seventh lay­er of hea­ven, joi­ning the com­mu­ni­ty of the ance­stors.

The Hell accor­ding to the Bali­ne­se

[exhi­bit 31] – Bali­ne­se mytho­lo­gy knows the des­cent into hell (and retur­ning from the­re) – many kinds of tor­tu­re await the sin­ful not unli­ke the Chri­sti­an “infer­no”. Thus, empha­sis is pla­ced on puri­fi­ca­ti­on of the soul during and after cre­ma­ti­on until it is so pure that it can join the ance­stors in the fami­ly temp­le, and even­tual­ly be reborn. The time until second and final buri­al would last seve­ral years, in the Hin­du-Bali­ne­se tra­di­ti­on as well.

Pre­sence of Ance­stors‘ souls

[exhi­bit 38] I like to con­tem­p­la­te the role of “ance­stors” and their spi­rits in our cul­tures. It is main­ly through their pre­sence in mate­ri­al objects like sta­tu­es, sculp­tures, tomb­s­to­nes etc. that we can remem­ber. And the­re is this ambi­gui­ty bet­ween a remo­te, final rest­ing place and pro­xi­mi­ty, per­haps at cer­tain times of the year? In the Chri­sti­an tra­di­ti­on, the night of Novem­ber 1 opens a win­dow to the souls – and to this day, adher­ents of the neo­pa­gan move­ment may prepa­re a meal for their ance­stors visi­ting them that very night.

I recom­mend the visit. Once you go on your own through the exhi­bi­ti­on (4th flo­or), I am cer­tain you will find your own favo­ri­te objects. The­re is so much to see and reflect on.